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A closer look at the clear being added to the dots.
Date: 11/16/2003
Views: 1838
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This is an AIM84BD kiln with a Fuji digital temperature controller.
Date: 11/16/2003
Views: 1812
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The tip of the stringer is heated and a dot of glass is added to my bead
Date: 11/16/2003
Views: 1902
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Fresh beads, straight out of the oven!
Date: 11/23/2003
Views: 1891
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I put the finished bead into the kiln to begin the annealing porcess
Date: 11/16/2003
Views: 1881
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The bead is rotated in the cooler part of the flame to finish it off before sending it to the kiln
Date: 11/16/2003
Views: 1857
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My studio!
Date: 11/16/2003
Views: 2402
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The glass rod is heated to a molten state and then wrapped around the mandrel.
Date: 11/16/2003
Views: 2245
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These transparent dots are then melted in.
Date: 11/16/2003
Views: 1877
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About 10 hours later...the kiln is back to room temperature.
Date: 11/23/2003
Views: 1854
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Sparkley new beads!
Date: 11/23/2003
Views: 2517
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A good side view of more glass being added to the bead.
Date: 11/16/2003
Views: 1875
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Applying dots with a white stringer
Date: 11/16/2003
Views: 1881
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A closer look at my work station.
Date: 11/16/2003
Views: 2215
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My kiln is ready to go!
Date: 11/16/2003
Views: 1669
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The clear is then melted in flat
Date: 11/16/2003
Views: 1803
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The bead is removed from the flame and poked in the center of the dot.
Date: 11/16/2003
Views: 1816
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Shaping the glass into a round bead
Date: 11/16/2003
Views: 1811
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The start of my bead...
Date: 11/16/2003
Views: 2107
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The glass is shaped to an even round in the flame.
Date: 11/16/2003
Views: 1899
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A small blob of clear glass is added to the dot and traps a pocket of air, creating a bubble in the center of the dot.
Date: 11/16/2003
Views: 1831
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A dot of transparent color is added on top of the white dots so it shows up.
Date: 11/16/2003
Views: 1840
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Close up view of my torch and tools
Date: 11/16/2003
Views: 1834
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The dot is then "spot" heated to soften it.
Date: 11/16/2003
Views: 1841
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